Shiny and New
Have you heard the tale about the curious little girl who, after breakfast one morning, left the house and headed down the block to grandma’s house for supper? (Don’t worry … this isn’t one of those tales where the girl gets eaten by the big bad wolf.)
Well, the story goes something like this.
A little further down the street, she stopped at another neighbour’s yard to check out the goldfish in the new pond, and decided to stay for lunch.
By early afternoon, she was back on the road, determined to make it all the way this time. Except in the next yard, she spied a flock of hummingbirds feasting on some impatiens and before she could control the impulse, she’d joined the neighbour for tea.
When the little girl finally arrived at grandma’s house, it was dark, supper was over, and grandma had gone to bed.
This week, I’m that little girl. Everything around me is shiny and new and so very distracting. And I know exactly why.
I’ve resumed rewrites on my women’s fiction story.
After reading through the opening chapters, I’ve discovered I’ve barely left the house, that there’s a really long journey ahead, for both my characters and for me. I’m sure I’ll occasionally be witty and brilliant, but at this stage of the rewrites, the work still sucks and all I want to do is shove the story back under the bed and find something better to work on.
So how do you keep yourself focused on your job, whatever it might be? Are there moments when your focus splinters and you find yourself ready to tackle the most dangerous stunt, if it will only save you from the dreariness ahead? Or do you put on blinders, refuse to get distracted, and stay the course until the end?
Curious minds what to know.